Art and Craft of Conjure

 Date:


The Hound
by H. P. Lovecraft, 1922

In my tortured ears there sounds unceasingly a nightmare whirring and flapping, and a faint distant baying as of some gigantic hound. It is not dream - it is not, I fear, even madness - for too much has already happened to give me these merciful doubts.

St John is a mangled corpse; I alone know why, and such is my knowledge that I am about to blow out my brains for fear I shall be mangled in the same way. Down unlit and illimitable corridors of eldritch phantasy sweeps the black, shapeless Nemesis that drives me to self-annihilation.

May heaven forgive the folly and morbidity which led us both to so monstrous a fate! Wearied with the commonplaces of a prosaic world; where even the joys of romance and adventure soon grow stale, St John and I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui. The enigmas of the symbolists and the ecstasies of the pre-Raphaelites all were ours in their time, but each new mood was drained too soon, of its diverting novelty and appeal.

Only the somber philosophy of the decadents could help us, and this we found potent only by increasing gradually the depth and diablism of our penetrations. Baudelaire and Huysmans were soon exhausted of thrills, till finally there remained for us only the more direct stimuli of unnatural personal experiences and adventures. It was this frightful emotional need which led us eventually to that detestable course which even in my present fear I mention with shame and timidity - that hideous extremity of human outrage, the abhorred practice of grave-robbing.

I cannot reveal the details of our shocking expedition, or catalogue even partly the worst of the trophies adorning the nameless museum we jointly dwelt, alone and servantless. Our museum was a blasphemous, unthinkable place, where with the satanic taste of neurotic virtuosi we had assembled an universe of terror and a secret room, far, far, underground; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death the line of red charnel things hand in hand woven in voluminous black hangings. Through these pipes came at will the odors our moods most craved; sometimes the scent of pale funeral lilies; sometimes the narcotic incense of imagined Eastern shrines of the kingly dead, and sometimes - how I shudder to recall it! - the frightful, soul-upheaving stenches of the uncovered-grave.

Around the walls of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the taxidermist's art, and with headstones snatched from the oldest churchyards of the world. Niches here and there contained skulls of all shapes, and heads preserved in various stages of dissolution. There one might find the rotting, bald pates of famous noblemen, and the flesh and radiantly golden heads of new-buried children.

Statues and painting there were, all of fiendish subjects and some executed by St John and myself. A locked portfolio, bound in tanned human skin, held certain unknown and unnameable drawings which it was rumored Goya had perpetrated but dared not acknowledge. There were nauseous musical instruments, stringed, brass, wood-wind, on which St John and I sometimes produced dissonances of exquisite morbidity and cacodaemoniacal ghastliness; whilst in a multitude of inlaid ebony cabinets reposed the most incredible and unimaginable variety of tomb-loot ever assembled by human madness and perversity. It is of this loot in particular that I destroy it long before I thought of destroying myself!

The predatory excursions on which we collected our unmentionable treasures were always artistically memorable events. We were no vulgar ghouls, but worked only under certain conditions of mood, landscape, environment, weather, season, and moonlight. These pastimes were to us the most exquisite form of aesthetic expression, and we gave their details a fastidious technical care. An inappropriate hour, a jarring lighting effect, or a clumsy manipulation of the damp sod, would almost totally destroy for us that ecstatic titillation which followed the exhumation of some ominous, grinning secret of the earth. Our quest for novel scenes and piquant conditions was feverish and insatiate - St John was always the leader, and he it was who led the way at last to that mocking, accursed spot which brought us our hideous and inevitable doom.

By what malign fatality were we lured to that terrible Holland churchyard? I think it was the dark rumor and legendry, the tales of one buried for five centuries, who had himself been a ghoul in his time and had stolen a potent thing from a mighty sepulchre. I can recall the scene in these final moments - the pale autumnal moon over the graves, casting long horrible shadows; the grotesque trees, drooping sullenly to meet the neglected grass and the crumbling slabs; the vast legions of strangely colossal bats that flew against the moon; the antique ivied church pointing a huge spectral finger at the livid sky; the phosphorescent insects that danced like death-fires under the yews in a distant corner; the odors of mould, vegetation, and less explicable things that mingled feebly with the night-wind from over far swamps and seas; and, worst of all, the faint deep-toned baying of some gigantic hound which we could neither see nor definitely place. As we heard this suggestion of baying we shuddered, remembering the tales of the peasantry; for he whom we sought had centuries before been found in this self same spot, torn and mangled by the claws and teeth of some unspeakable beast.

I remember how we delved in the ghoul's grave with our spades, and how we thrilled at the picture of ourselves, the grave, the pale watching moon, the horrible shadows, the grotesque trees, the titanic bats, the antique church, the dancing death-fires, the sickening odors, the gently moaning night-wind, and the strange, half-heard directionless baying of whose objective existence we could scarcely be sure.

Then we struck a substance harder than the damp mould, and beheld a rotting oblong box crusted with mineral deposits from the long undisturbed ground. It was incredibly tough and thick, but so old that we finally pried it open and feasted our eyes on what it held.

Much - amazingly much - was left of the object despite the lapse of five hundred years. The skeleton, though crushed in places by the jaws of the thing that had killed it, held together with surprising firmness, and we gloated over the clean white skull and its long, firm teeth and its eyeless sockets that once had glowed with a charnel fever like our own. In the coffin lay an amulet of curious and exotic design, which had apparently been worn around the sleeper's neck. It was the oddly conventionalised figure of a crouching winged hound, or sphinx with a semi-canine face, and was exquisitely carved in antique Oriental fashion from a small piece of green jade. The expression of its features was repellent in the extreme, savoring at once of death, bestiality and malevolence. Around the base was an inscription in characters which neither St John nor I could identify; and on the bottom, like a maker's seal, was graven a grotesque and formidable skull.

Immediately upon beholding this amulet we knew that we must possess it; that this treasure alone was our logical pelf from the centuried grave. Even had its outlines been unfamiliar we would have desired it, but as we looked more closely we saw that it was not wholly unfamiliar. Alien it indeed was to all art and literature which sane and balanced readers know, but we recognized it as the thing hinted of in the forbidden Necronomicon of the mad Arab Abdul Alhazred; the ghastly soul-symbol of the corpse-eating cult of inaccessible Leng, in Central Asia. All too well did we trace the sinister lineaments described by the old Arab daemonologist; lineaments, he wrote, drawn from some obscure supernatural manifestation of the souls of those who vexed and gnawed at the dead.

Seizing the green jade object, we gave a last glance at the bleached and cavern-eyed face of its owner and closed up the grave as we found it. As we hastened from the abhorrent spot, the stolen amulet in St John's pocket, we thought we saw the bats descend in a body to the earth we had so lately rifled, as if seeking for some cursed and unholy nourishment. But the autumn moon shone weak and pale, and we could not be sure.

So, too, as we sailed the next day away from Holland to our home, we thought we heard the faint distant baying of some gigantic hound in the background. But the autumn wind moaned sad and wan, and we could not be sure.

Less than a week after our return to England, strange things began to happen. We lived as recluses; devoid of friends, alone, and without servants in a few rooms of an ancient manor-house on a bleak and unfrequented moor; so that our doors were seldom disturbed by the knock of the visitor.

Now, however, we were troubled by what seemed to be a frequent fumbling in the night, not only around the doors but around the windows also, upper as well as lower. Once we fancied that a large, opaque body darkened the library window when the moon was shining against it, and another time we thought we heard a whirring or flapping sound not far off. On each occasion investigation revealed nothing, and we began to ascribe the occurrences to imagination which still prolonged in our ears the faint far baying we thought we had heard in the Holland churchyard. The jade amulet now reposed in a niche in our museum, and sometimes we burned a strangely scented candle before it. We read much in Alhazred's Necronomicon about its properties, and about the relation of ghosts' souls to the objects it symbolized; and were disturbed by what we read.

Then terror came.

On the night of September 24, 19--, I heard a knock at my chamber door. Fancying it St John's, I bade the knocker enter, but was answered only by a shrill laugh. There was no one in the corridor. When I aroused St John from his sleep, he professed entire ignorance of the event, and became as worried as I. It was the night that the faint, distant baying over the moor became to us a certain and dreaded reality.

Four days later, whilst we were both in the hidden museum, there came a low, cautious scratching at the single door which led to the secret library staircase. Our alarm was now divided, for, besides our fear of the unknown, we had always entertained a dread that our grisly collection might be discovered. Extinguishing all lights, we proceeded to the door and threw it suddenly open; whereupon we felt an unaccountable rush of air, and heard, as if receding far away, a queer combination of rustling, tittering, and articulate chatter. Whether we were mad, dreaming, or in our senses, we did not try to determine. We only realized, with the blackest of apprehensions, that the apparently disembodied chatter was beyond a doubt in the Dutch language.

After that we lived in growing horror and fascination. Mostly we held to the theory that we were jointly going mad from our life of unnatural excitements, but sometimes it pleased us more to dramatize ourselves as the victims of some creeping and appalling doom. Bizarre manifestations were now too frequent to count. Our lonely house was seemingly alive with the presence of some malign being whose nature we could not guess, and every night that daemoniac baying rolled over the wind-swept moor, always louder and louder. On October 29 we found in the soft earth underneath the library window a series of footprints utterly impossible to describe. They were as baffling as the hordes of great bats which haunted the old manor-house in unprecedented and increasing numbers.

The horror reached a culmination on November 18, when St John, walking home after dark from the dismal railway station, was seized by some frightful carnivorous thing and torn to ribbons. His screams had reached the house, and I had hastened to the terrible scene in time to hear a whir of wings and see a vague black cloudy thing silhouetted against the rising moon.

My friend was dying when I spoke to him, and he could not answer coherently. All he could do was to whisper, "The amulet - that damned thing -"

Then he collapsed, an inert mass of mangled flesh.

I buried him the next midnight in one of our neglected gardens, and mumbled over his body one of the devilish rituals he had loved in life. And as I pronounced the last daemoniac sentence I heard afar on the moor the faint baying of some gigantic hound. The moon was up, but I dared not look at it. And when I saw on the dim-lighted moor a wide-nebulous shadow sweeping from mound to mound, I shut my eyes and threw myself face down upon the ground. When I arose, trembling, I know not how much later, I staggered into the house and made shocking obeisances before the enshrined amulet of green jade.

Being now afraid to live alone in the ancient house on the moor, I departed on the following day for London, taking with me the amulet after destroying by fire and burial the rest of the impious collection in the museum. But after three nights I heard the baying again, and before a week was over felt strange eyes upon me whenever it was dark. One evening as I strolled on Victoria Embankment for some needed air, I saw a black shape obscure one of the reflections of the lamps in the water. A wind, stronger than the night-wind, rushed by, and I knew that what had befallen St John must soon befall me.

The next day I carefully wrapped the green jade amulet and sailed for Holland. What mercy I might gain by returning the thing to its silent, sleeping owner I knew not; but I felt that I must try any step conceivably logical. What the hound was, and why it had pursued me, were questions still vague; but I had first heard the baying in that ancient churchyard, and every subsequent event including St John's dying whisper had served to connect the curse with the stealing of the amulet. Accordingly I sank into the nethermost abysses of despair when, at an inn in Rotterdam, I discovered that thieves had despoiled me of this sole means of salvation.

The baying was loud that evening, and in the morning I read of a nameless deed in the vilest quarter of the city. The rabble were in terror, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the neighborhood. In a squalid thieves' den an entire family had been torn to shreds by an unknown thing which left no trace, and those around had heard all night a faint, deep, insistent note as of a gigantic hound.

So at last I stood again in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the withered, frosty grass and cracking slabs, and the ivied church pointed a jeering finger at the unfriendly sky, and the night-wind howled maniacally from over frozen swamps and frigid seas. The baying was very faint now, and it ceased altogether as I approached the ancient grave I had once violated, and frightened away an abnormally large horde of bats which had been hovering curiously around it.

I know not why I went thither unless to pray, or gibber out insane pleas and apologies to the calm white thing that lay within; but, whatever my reason, I attacked the half frozen sod with a desperation partly mine and partly that of a dominating will outside myself. Excavation was much easier than I expected, though at one point I encountered a queer interruption; when a lean vulture darted down out of the cold sky and pecked frantically at the grave-earth until I killed him with a blow of my spade. Finally I reached the rotting oblong box and removed the damp nitrous cover. This is the last rational act I ever performed.

For crouched within that centuried coffin, embraced by a closepacked nightmare retinue of huge, sinewy, sleeping bats, was the bony thing my friend and I had robbed; not clean and placid as we had seen it then, but covered with caked blood and shreds of alien flesh and hair, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my inevitable doom. And when it gave from those grinning jaws a deep, sardonic bay as of some gigantic hound, and I saw that it held in its gory filthy claw the lost and fateful amulet of green jade, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter.

Madness rides the star-wind... claws and teeth sharpened on centuries of corpses... dripping death astride a bacchanale of bats from nigh-black ruins of buried temples of Belial... Now, as the baying of that dead fleshless monstrosity grows louder and louder, and the stealthy whirring and flapping of those accursed web-wings closer and closer, I shall seek with my revolver the oblivion which is my only refuge from the unnamed and unnameable.


 

 

High-Demand Spellbook of ‘How To’ Info for Invoking Ancient Sumerian Elder Gods with Magickal Seals & Rituals...

 

The 

NECRONOMICON SPELLBOOK

Enhanced Ebook Edition

 

Edited by "Simon"

Companion of the Book of Fifty Names

The Enhanced eBook Edition

 

WARNING:

The Necronomicon Spellbook is not something to take lightly!

 Here’s Your Chance To Access The Controversial

High-Demand Spellbook of ‘How To’ Info for

Invoking Ancient Sumerian Elder Gods with

Magickal Seals & Rituals -- Without Being an Expert

or Even Writing a Word or Spell Yourself!

 

I am about to hand you the keys to one of the most controversial bodies of magick that exists in this modern age - 50 seals and 50 incantations based on ancient Sumerian magick and the 50 names of Marduk.

I will hand them to you on aged digital parchment pages, with complete instructions, all in their original format. Everything is there for you; all you need to start making you

healthier, wealthier, and wiser!

 

All for a tiny fraction of the time and money you would have to spend

if you were to do all the research and editing yourself.

___________________________________

From The Desk Of Voodoomama
Re: The Necronomicon Spellbook Enhanced Ebook Edition

Greetings Friend,

How would you like to know the secrets of the ancient Sumerians?

How would you like to meet the God of Gods and learn incantations to summon him to do your bidding?

Well how about 50 of them (50 seals, 50 incantations, and 50 gods)?

Stick with me because this is going to be one of the most exciting magickal opportunities you’ll ever read…

If you’re one of the first 250 lucky individuals to jump on this – I’m going to give you an enhanced version of the Necronomicon  Spellbook that gives you the not only the complete spellbook, but also these extra bonuses:

 Bonus #1:  The original texts (translated) of the cuneiform tablets of  the 50 names of Marduk from the Enûma Elish, the Babylonian creation myth,  and

Bonus #2:  Select additional spells from the Necronomicon, including their original Sumerian versions as well as their English translations, and

Bonus #3: A Necronomicon FAQ section, and

Bonus #4: The History of the Necronomicon by H. P. Lovecraft;

Bonus #5: A complete reference section for true aficionados who crave to learn more about the mysteries contained in the Necronomicon Spellbook! and

 

Fact is, there’s nothing more profitable or easier to perform than simple empowerment rituals. I’m talking about the kind contained in this special edition of Necronomicon Spellbook.  But first, let's start with the…

FAQS

The Necronomicon is not Satan's/Lucifer's book.

You will not sell your soul if you read this ebook.

You will not sell your soul if you perform the spells in this ebook.

The gods invoked are not demons.

The Necronomicon Spellbook was not the VISION of a mad prophet

There are many legends and myths surrounding the Necronomicon and all of it's variants. The most popular notion is that it is very powerful.  It is also believed by many to be extremely dangerous.

If  not used properly,  it is said to cause severe karmic backlash, so you are advised to exercise caution when using the rituals contained herein. Many of the stories of  people having strange experiences are 100% true. The power of the Necronomicon is insane in evil hands, and life-changing in the hands of those who use it in a good way.

Here is what some people are saying about their experiences with the Necronomicon on some message boards:

  •  "the book levitates"

  • "All of these things that are called "gods" in the Necronomican were actually demons."

  • "The book levitated itself in his room, so he locked it in a safe, put the safe in his bathroom and closed the bathroom door. 2) When he awoke the next morning, the bathroom was about 15 degrees colder than the rest of the house and the safe was sitting open. When I took the book back home with me that night, after hearing these stories, I slept with it under my pillow and had the best night's sleep in my life."

  • The Necronomicon is a fake.

First, let me dispel the myth that the gods invoked in the Necronomicon Spellbook are demons. This is simply not true! The gods that are invoked are incarnations of Marduk, the Lord of Gods in ancient Sumer. His name means "bull calf of the sun". Marduk is described as being connected to the planet Jupiter, water, vegetation, judgment, and white magic. According to myth, Marduk defended the other gods against the diabolical monster Tiamat. After he had killed her, he brought order to the cosmos and created mankind. All other gods are considered to be manifestations of the supreme god Marduk.

Second, the Necronomicon as written by H.P. Lovecraft is an occult fantasy, written by the famous writer of horror stories. It became such a phenomenon that countless other books were written in an apparent attempt to cash in on it's popularity. The Necronomicon Spellbook is not the same book as the one written by H.P. Lovecraft. While it's origins are also suspect, the magick contained therein is proved to be a workable magick system that is based on ancient Sumerian magick. I have included the actual cuneiform translations of the fifty names of Marduk from the sacred text to illustrate this fact. Whether or not it works is up to you. As the saying goes: it works if you work it!

 

Now, about the strange goings-ons. Personally, I have never seen a book levitate. But I believe that a large number of people believe they have experienced such a phenomenon. On the other hand, something interesting did happen when I first began transcribing this eBook. It was enough to make me believe that there is some kind of power associated with this ancient text.

 

It has been said that merely owning a copy of this book, in any form, will invoke the gods.

 

This may be true. I will let you decide.

 

One day, after working all day on editing and compiling this ebook, my ten year old son and I  went to the woods as we often do in the summer time. You see, we are explorers. I have many interests, and one of the degrees I have managed to collect over the years is one in cultural anthropology. I love studying about people and cultures, and I love digging in the earth to uncover secrets of the past.

 

This place where we go exploring has a creek running through it, and we like to climb down the banks of the creek and look for old bottles. Well, we climbed down the creek that day, and the first thing I saw was this object laying on a log covered in mud. I could tell it was an item of interest, and I could tell it was iron. I wiped the mud away, and this is what was revealed:

 

A horned God with hooved feet?

Could it be the "bull calf of the sun"?

Was this a coincidence? Or was Marduk making his presence known in a most concrete and obvious fashion?

You decide...

Why you should purchase this enhanced ebook version of the Necronomicon Spellbook, as opposed to the versions available elsewhere...

Here's what you will receive in the enhanced version of the Necronomicon Spellbook:

You get the complete Necronomicon Spellbook by Simon, and

The History of the Necronomicon by Lovecraft; and

A Necronomicon FAQ section, and

The original texts (translated) of the cuneiform tablets of  the 50 names of Marduk from the Enûma Elish, the Babylonian creation myth,  and

Select additional spells from the Necronomicon, and

A complete reference section for further information about this controversial piece of ancient magick history.

If you purchase this elsewhere, all you will receive is the Necronomicon Spellbook in plain boring black and white text...that's all!

This is a limited time offer so you must

ACT NOW!

_________________________________

Putting together this enhanced version of the Necronomicon Spellbook has not been an easy or inexpensive task. I have poured 80+ hours toiling away to create the package you’ve been waiting for (where all you have to do is start profiting from it). However, I think you’ll agree it was well worth the effort once you see what’s inside …

So, what are you waiting for?

Just $7.95 and the secrets are yours!

 

THESE SPELLS were originally worked by the mystics of ancient Sumer, a mysterious civilization that flourished in what is now known as Iraq over two thousand years before the birth of Christ. No one knows who the Sumerians really were, or where they came from. Some say they came from the darkest parts of Africa, where they were a nomadic people. Then, suddenly, in less than a hundred years they became a full-fledged agricultural society with cities and farms and beautiful temples that reached to the skies. They gave credit for their awakening to a strange being who came to them from the sea, wearing a diving suit, and who taught them writing, science, agriculture, architecture and, of course, magick. Almost overnight, the Sumerians became a people. Working the system of the NECRONOMICON in the even-storied temples, they became the most cultured and powerful force in the Middle East. It is their system of magick that has been retained in the NECRONOMICON SPELLBOOK. Now, after literally thousands of years, this secret mystical system for winning power, love, and success is made available to everyone.

__________________________________

"...the Necronomicon, a highly secret magical text..."
-- William S. Burroughs

Now in Ebook form!

___________________________________

Now, it's your turn to meet the many faces of Marduk!

 Order now for just $7.95!

 

 

 


 

Necromonicon Bookstore

 

Enûma Elish

 

How to Voodoo with Voodoo Dolls


Voodoo Spells

Want revenge? Or help with love? Try these powerful Voodoo Spells.

Absolutely the most honest and powerful practitioners on the internet!
 

Google  

© 2008-2009 The Mystic Voodoo, All Rights Reserved.